writing

“Almost 200 empty dollhouses are arranged to form a hilly village in a dark room. The village has no geographical coordinates, and no people live there. Its name is simply ‘Place (Village),’ and, as a work of art, it forms the cornerstone of Rachel Whiteread’s eponymous exhibit at the Museum of Fine Arts in Boston, on display from Oct. 15th through Jan. 25th.

The dollhouses fit together snugly, forming an eye-pleasing, three-dimensional patchwork of windows, roofs, and lights that gleam from small light bulbs and ceiling fixtures inside the homes. A few of the houses face outward, their innards exposed, holding only tiny pieces of wallpaper and the revelation that there was nothing else inside.”